Vehicle

Use the input image as the first frame, maintaining composition, camera, and interior layout. Animation quality. ──────────────────── Most Important Rules The car is completely parked. The engine is off. The car does not move at all from the start to the end of the video. The scenery outside the window does not change. Driving, starting, vibrating, or traveling expressions are prohibited. ──────────────────── Character The reference character exists only within the smartphone's video call screen. Must not go outside the smartphone. Must not materialize inside the car. Do not increase the number of the same character. ──────────────────── Performance The character sings cutely in Japanese towards the camera. Swings body naturally while singing. Smiling. Tilting head. Waving. Making a heart shape. Brings face very close to the smartphone camera. Move slightly away. Approach again. A natural energy enjoying the video call. Lyrics: La-ta-ta♪ La-ta-ta♪ My heart is pounding♪ Smile and laugh♪ See you again♪ ──────────────────── POV Side The hand holding the smartphone naturally changes grip slightly. The wrist shakes lightly to the rhythm. Both feet resting on the steering wheel take the rhythm. Toes move up and down slightly with the music. Relaxing and enjoying the video call. ──────────────────── Composition Foreground: - Smartphone - Hand holding the smartphone Midground: - Both feet - Steering wheel - Dashboard Background: - Car interior - Parked scenery The smartphone is always displayed large enough for the character's expressions to be clearly visible. The camera is POV throughout. ──────────────────── Atmosphere Daytime. Daily life taking a short break in the car. Calm. Cute. Natural video call. ──────────────────── Prohibited Moving the car. Moving the camera significantly. Taking the character outside the smartphone. Drawing multiple characters. Unnecessary people. Unnecessary UI. Unnecessary text. Watermarks.

[Scene 1 – Airbase, 0:00–0:05] Su-57 roars down the runway, afterburners glowing. Pilot's HUD lights up. "Falcon-1, cleared for takeoff." Nose lifts, gear retracts — jet tears into the sky. [Scene 2 – Combat Airspace, 0:05–0:10] Radar lock chirps. Pilot banks hard: "Target confirmed, engaging." Missile tone locks solid. "Fox Three." Jet peels away trailing vapor.

Shot 1 (0:00–0:02) – Arrival Close-up of elegant white heels stepping onto the coastal road. Black vintage convertible waits in the background. Camera: Low-angle tracking shot. Shot 2 (0:02–0:05) – Walk Model confidently walks toward the convertible with the ocean behind her. Hair gently moves in the sea breeze. Camera: Smooth side tracking shot. Shot 3 (0:05–0:08) – Reflection Close-up of her face in the side mirror as she softly adjusts her hair. Sunlight creates warm highlights. Camera: Mirror close-up with focus pull. Shot 4 (0:08–0:11) – Confidence Sitting in the driver's seat, she puts on elegant sunglasses and smiles. Red leather interior adds a premium feel. Camera: Slow dolly-in close-up. Shot 5 (0:11–0:15) – Drive Away Convertible cruises along the breathtaking Amalfi Coast road. Ocean sparkles under golden sunlight as the title "Rivelazione" fades in. Camera: Drone follow shot transitioning to a cinematic wide aerial. Overall Look Bright golden-hour lighting Premium Italian Riviera aesthetic Smooth cinematic camera movements Luxury fashion TV commercial vibe 24fps, ultra-realistic, high-end color grading

Cinematic night street-racing sequence. A focused driver inside a high-performance [VEHICLE] grips the steering wheel. City lights reflect across the windshield. Tension builds before sudden acceleration. Camera: 0-3s: Tight close-up on the driver’s eyes in the rearview mirror, neon reflections moving across the face. 3-6s: Interior dashboard shot, hand shifts gear, engine vibration visible. 6-10s: Exterior low-angle tracking shot beside the vehicle as it launches forward, wet asphalt reflecting city lights. 10-13s: Rapid multi-angle sequence: wheel spin, tunnel lights streaking, side mirror reflection, overhead drone pass. 13-15s: The vehicle bursts out of the tunnel into open city streets, camera pulls back to show scale. Style: Cinematic realism, wet pavement, neon city reflections, controlled motion blur, high contrast, shallow depth of field, fast but readable editing. Sound suggestion if supported: deep engine rumble, tire hiss on wet road, distant city ambience. Constraints: No warped wheels, no impossible car shape changes, no unreadable logos, no random text, no watermark, no cartoon look.

A big alien with long tentacles wraps around a fuel tank at an army depot. The soldiers cannot shoot near it — the fuel could blow up too soon. A soldier gets into a jeep and sets it on fire on purpose. Sounds: fire crackling, alien hissing, shouting, engine roaring. Shot 1 (0–3s) — THE HOOK: The big alien wraps its tentacles around the tall fuel tank, squeezing it hard. Fuel starts leaking out. Soldiers back away fast. One shouts on his radio: "DON'T SHOOT! IT'LL BLOW EARLY!" Shot 2 (3–6s): A soldier jumps into a jeep. He lights a fire on the back of it with a torch. He guns the engine and calls on the radio: "I'm driving it in! Get back!" Shot 3 (6–9s): The burning jeep speeds straight at the fuel tank. Right before it hits, the soldier throws his door open and jumps out, rolling across the ground away from the jeep. Shot 4 (9–13s) — BIG SLOW MOMENT: The jeep smashes into the fuel tank. We see it slow. Fire spreads fast across the leaking fuel, wrapping around the alien still holding on. Shot 5 (13–15s): Everything goes back to normal speed. BOOM! The whole depot explodes in one giant fireball, lighting up the whole sky. The soldier lies safe on the ground, watching the fire go up. Cut.

An army truck full of bombs is parked near train tracks. A mega crocodile, big as a truck, grabs the back of it. The truck driver is trapped inside. Far down the tracks, a soldier at the train crossing sees a fast train coming. Sounds: loud engine, croc growling, shouting, a train horn. Shot 1 (0–3s) — THE HOOK: The mega crocodile bites the back of the truck and shakes it hard. The driver can't drive away. He shouts on his radio: "IT WON'T LET GO! I'M STUCK ON THE TRACKS!" Shot 2 (3–6s): Down the tracks, the soldier at the crossing sees the fast train coming. He knows this train comes by every day at this time. He shouts on the radio: "Jump out now! The train is coming fast!" Shot 3 (6–9s): The driver pushes his door open and jumps out. He runs away fast. The truck stays stuck on the tracks. The mega crocodile is still biting the back of it, not letting go. Shot 4 (9–13s) — BIG SLOW MOMENT: The train comes fast down the tracks. We see it slow. The train smashes into the truck and the crocodile together. Metal flies everywhere. Fire starts to burst out. Shot 5 (13–15s): Everything goes back to normal speed. BOOM! The bombs inside the truck all go off at once. A giant fireball shoots up into the sky. The driver watches from far away, safe. Cut.

Style: Realistic, high-end, natural light car fashion short film, daytime city light, fast-paced rhythmic montage. Character Lock: Always use the same brown-haired woman from the reference image. Facial features, hairstyle, skin tone, age, and body proportions remain consistent throughout, no face-swapping. Outfit and Vehicle Fixed Combinations (no mixing): Combo A: Yellow short tank top + black white-edged sports shorts + white sneakers ↔ Black and yellow interior luxury SUV; Combo B: Black off-the-shoulder slim dress + gold thin belt ↔ Burgundy leather interior convertible sports car; Combo C: Black biker leather jacket + white inner layer + high-waisted flared jeans ↔ Dark red interior coupe; Combo D: Creamy white short suit + matching A-line skirt + pearl necklace ↔ Off-white interior sedan; Combo E: Haze blue slim sports suit + white baseball cap + white crossbody small bag ↔ Cool gray light blue interior sports coupe. Cinematography: Fixed passenger seat camera angle, diagonal shot of the driver's seat, person located middle-right, steering wheel in right foreground. Keep similar face size, sitting posture, sightline, seat belt angle, and steering wheel hand position across cars. Scenery moves right to left. All transitions are hard cuts on musical beats. SHOT 1 (0-5s): Entry matching sequence. SHOT 2 (5-12.5s): Driving outfit rotation. SHOT 3 (12.5-15s): Fast rotation and finale.

Cinematic front-facing shot of Erling Haaland and his Norwegian national football teammates in matching black jerseys, rowing a traditional wooden Viking boat through a foggy fjord. Haaland sits at the bow looking emotional as the crew rows in unison. The background features towering snow-dusted mountains, mist over calm water, and wooden cabins adorned with Norwegian flags. The camera slowly zooms back into dense fog, revealing a distant British flag on the horizon. Moody, dramatic atmospheric lighting with a cold color palette.

a large cinematic military parade, with gothic architecture, marching bands, tanks, crowds, aircraft, and a stormy sky

An army cargo plane sits on a runway at night, its loading ramp lowered to the ground, floodlights lighting up the tarmac. A mega crocodile, huge as a truck, has climbed halfway up the ramp, blocking soldiers from boarding. Inside, the loadmaster stands at the ramp controls — the same controls he uses to raise and lower this ramp on every single flight. Sound: groaning hydraulics, croc hissing, shouting, engines idling, radio voices.\n\nShot 1 (0–3s) — THE HOOK: Low shot up the ramp. The mega crocodile drags itself further up the metal ramp, blocking the way in, its claws scraping the surface. Soldiers back away below, one shouting into his radio: "IT'S BLOCKING THE RAMP! WE CAN'T BOARD!"\n\nShot 2 (3–6s): Inside the plane, the loadmaster stands at the hydraulic controls, watching the crocodile climb further onto the ramp. He calls on the radio: "Let it come all the way up! I've got this!"\n\nShot 3 (6–9s): The crocodile drags its whole body fully onto the ramp now, no longer touching the ground below. The loadmaster's hand grips the release lever, eyes locked on the crocodile's position, waiting for the right moment.\n\nShot 4 (9–13s) — BIG SLOW-MOTION MOMENT: He hits the release. Bullet time — the ramp drops fast in slow motion, tilting sharply downward, the crocodile's huge body sliding and flipping off the back edge, claws scraping uselessly at the metal as it falls through the air.\n\nShot 5 (13–15s): Time snaps back. The crocodile crashes hard onto the runway below, skidding across the tarmac. The ramp locks back into place, soldiers boarding safely up into the plane. Cut.

A powerful chase scene set in a city during the daytime. An extremely realistic live-action Hollywood blockbuster action scene. Photorealistic footage completely free of CG feel. A beautiful young Japanese female driver is operating a futuristic hypercar. Her face should perfectly match the attached reference image. The car is a futuristic hypercar with an aggressive design (heavy and authentic texture). Scene Flow: - A military helicopter approaches rapidly from above, and while being chased by military drones, the car speeds through high-rise districts and congested lanes. - It plunges into traffic, driving at high speed in the opposite lane, narrowly escaping. Drones explode one after another in the surroundings. - Finally, it crashes head-on at high speed into a giant billboard along the highway (a billboard for drinking water featuring a beautiful woman in a gravure pose), smashing it to pieces. Amidst flying debris, it dashes past the front of the camera at ultra-high speed and moves away. A massive chain explosion occurs behind. Hollywood-grade live-action VFX, natural textures, powerful camerawork, 8K, completely eliminating any CG scent.

matte black helmet, neon lights, cyber punk city, smooth transition, clean tilt, ride this bike home.

Create a 10-second ultra-photorealistic cinematic road movie sequence inspired by *Nomadland*, *The Secret Life of Walter Mitty*, and *Into the Wild*. Use the provided female reference image as the protagonist. Preserve exact facial identity, hairstyle, skin tone, body proportions, clothing continuity, and expressions throughout. ## STYLE Golden-hour cinematography. Natural landscapes. Authentic performances. ARRI ALEXA 65. Warm filmic color grading. ## FORMAT 10 seconds 5 shots ### SHOT 1 (0:00–0:02) The protagonist drives alone along an empty coastal highway at sunset. ### SHOT 2 (0:02–0:04) She notices a small wooden sign reading: **"Scenic Route."** She smiles and turns. ### SHOT 3 (0:04–0:06) The road climbs above the coastline, revealing a breathtaking panoramic ocean view. ### SHOT 4 (0:06–0:08) She stops the car, steps out, and feels the ocean breeze. ### SHOT 5 (0:08–0:10) A wide drone shot shows her standing alone on the cliff as waves crash below. **Music** Acoustic guitar. Warm strings. Soft piano. **Emotional Target** *"Not every wrong turn is a mistake."*

Hyper-realistic cinematic action sequence, 15 seconds, aspect ratio 16:9. Daytime in a massive futuristic desert solar farm during a violent sandstorm. A rider on a sleek high-speed bike races through endless rows of giant solar panels and rotating mirror arrays while one pursuing bike closes in behind. The environment is extreme: orange dust clouds, strong wind, flashing sunlight, moving reflector arms, metal support frames, shattered panel glass, and narrow service paths cutting through the solar maze. The rider wears dark fitted riding gear and a full helmet with dark visor. No visible face, no celebrity resemblance. Wide opening shot: the main bike blasts through the solar farm at very high speed, sand whipping across the frame. Giant panel rows tower on both sides. The pursuing bike appears behind and gains fast. Fast side tracking shot: both bikes race deeper into the maze. Rotating mirrors suddenly shift, throwing blinding flashes of reflected sunlight across the path. The rider leans hard through tight turns between metal supports while dust trails explode behind the tires. Front three-quarter shot: the chaos increases. A damaged row of panels begins breaking apart, sending shards and fragments across the service road. One reflector arm swings low into the route at the last second, forcing the rider to duck and cut sharply sideways while the pursuing bike barely follows through the same opening. Final 5 seconds: make this part extreme. The sandstorm becomes denser, visibility drops, and the rider accelerates into a final burst. Multiple rotating mirrors create violent flashes of light. A large panel collapses beside the path, showering debris. The rider threads through a very narrow gap between support frames, power-slides across deep drifting sand, then launches off a small maintenance ramp over a broken section of road. The bike lands hard, bounces, recovers instantly, and rockets onto a wider service road while the pursuing bike is delayed in the chaos behind. Final moment: the main rider races away into the storm-lit desert at maximum speed, with rows of solar mirrors fading into dust and flashing light behind. Style: hyper-realistic, cinematic, extremely fast-paced, intense, clear but chaotic action, strong sense of speed and danger, desert atmosphere, violent sandstorm, bright solar reflections, flying debris, dynamic camera movement, no text, no logos, no cartoon style, no slow motion. Keep proportions. Keep style and features. Aspect ratio 16:9.

GLOBAL STYLE: Stylized 3D animation, cel shaded graphics, comic book rendering, Spider Verse inspired visual style, vibrant high contrast color palette, fluid dynamic motion, Unreal Engine 5 aesthetic, cinematic lighting, 4K quality. CHARACTER CONTINUITY: Stylized young male driver with wavy blonde hair, thick black glasses, short goatee, intricate black tattoo sleeves on both arms, black shirt, dark pants, brown loafers. VEHICLE CONTINUITY: Modified white 1990s Honda Integra, black brush stroke "46" side decal, glowing red underglow, deep dish rims, lowered stance, clean body kit. Keep the same car throughout. No logos or text changes. ENVIRONMENT: Neon lit New York inspired streets beneath elevated subway tracks at dusk, wet reflective asphalt, glowing storefronts, cinematic atmosphere. SEQUENCE (0:00–0:15): 0:00–0:05 — walk to car, door handle, ignition, underglow reflecting on wet pavement 0:05–0:08 — exhaust smoke, hands on wheel, dashboard lights on driver's face 0:08–0:11 — dashcam POV acceleration under train tracks, motion blur 0:11–0:15 — close-up on eyes in mirror, hard cut to drift, tire smoke, sparks

Ultra-realistic cinematic WWII battlefield, single continuous tracking shot, 15 seconds, no cuts. Use the attached first frame as strict visual reference for environment, lighting, atmosphere, and composition. Remove all guide overlays: no blue route line, no numbers, no start/end text, no markers. Camera begins handheld behind a soldier's shoulder as he charges through muddy trenches in driving rain. Smoke, debris, and bullet impacts throw mud into the air. He weaves past destroyed equipment and dives behind Czech hedgehog barricades alongside allied soldiers. Camera rotates around him briefly — revealing the full battlefield scale: WWII fighter planes crossing storm clouds, smoke columns, tanks advancing, thousands of soldiers pushing toward a massive concrete fortress wall. Camera returns behind him as he moves forward. He sprints toward the armored line. Tanks roll past on both sides, cannons firing with huge muzzle flashes and shockwaves. Enemy fire from the wall sends sparks and concrete fragments flying. He jumps onto a moving tank, runs across its muddy hull, ducks under fire, leaps off toward the fortress base. Camera follows dynamically with low-angle running shots, controlled explosion shake, cinematic motion blur. At the wall base, camera tilts upward showing the fortress height. He fires a grappling hook, climbs the wall — boots scraping concrete, dust falling from bullet impacts, sparks around him. As he reaches the top, camera rises over his shoulder revealing a massive hidden military complex beyond: endless rows of tanks, armored vehicles, supply trucks, bunkers, searchlights, fires, smoke columns stretching to the horizon. Final frame pulls to a wide aerial shot showing the true scale of war. Cold gray-blue color grading, volumetric smoke, wet mud, rain, practical explosions, film-grain texture. No modern weapons, no fantasy elements, no text overlays, no cartoon style.

Create a super cinematic continuous single-shot video of a jet ski. Strictly refer to the provided character sheet to depict this woman [@Image 1]: cold white skin, bright black eyes, long straight black hair, slim and toned figure, white deep V-neck one-piece swimsuit, and a green jet ski [@Image 2] (refer only to the jet ski, not the person on it). The front of the jet ski is transparent glass. Only one subject: only this woman. No other riders, surfers, or extra boats. Scene: Bright open water, blue-green surface, sun reflections, powerful speedboat wake, white foam, small ripples, splashes, wind sound, and engine sound. Raw, fast, cinematic, and real. Cinematography style: High-speed action photography documentary HD cinematic quality, 35mm lens, follow shot, with jitter and blur jumping with the waves, cool tones, natural sunlight. Video style: A continuous shot, no edits, no hidden cuts, no transitions, no montage. Super realistic motion, natural motion blur, jet ski engine sound, jet ski skimming sound, lens water droplets, splashes, wind noise, and believable body adjustments. Audio: Energetic cinematic action music. Starts with a stylish adrenaline beat, accompanied by clear engine, wind, jet ski, and water sounds. During ultra-slow motion, transitions to deep bass, rising tension, and an ethereal suspended impact. Upon landing, a sharp strike and return to full-speed action energy. (Detailed description of camera movements following the woman from a front view to a tailing low-angle, performing turns, touching the water, jumping waves in slow motion, and landing with explosive water splashes).

16:9, ultra-realistic cinematic sci-fi, physically believable, immense scale, no dialogue. An interceptor races low across the surface of a dead planet covered in colossal mechanical structures. Suddenly the entire planet begins awakening. Mountain-sized engine rings rise from beneath the crust. Oceans of molten energy surge through gigantic channels. Continental plates rotate like gears. The interceptor dives through collapsing machinery while skyscraper-sized pistons slam together behind it. The horizon suddenly bends as the entire planet starts accelerating through space. Camera ends pulling back to reveal the whole world is actually a gigantic engine leaving a glowing trail across the galaxy.