Food / Drink

Build a pressure cooker you can actually cook dal in. Press the buttons and watch it work: the whistle traps the steam, the water boils at 121 °C, and the dal cooks 4× faster.

15-second ultra-realistic funny short video, 9:16 vertical screen, mobile phone original camera documentary texture, real gym environment, soft indoor top light, the whole process is like a friend casually following along, slight natural shaking, very strong daily life feel. [Character Setting] High-looking young Asian woman, natural light makeup, delicate and relaxed facial features, well-proportioned figure, gentle and cool temperament, real passerby feel, skin retains natural texture and subtle sweat beads, no influencer smoothing, no exaggerated plastic surgery face, natural body proportions. Face and body completely consistent with reference image. Shot 1 | 0-4s Fake Self-Discipline Bright and clean gym, background has few training figures and equipment. Girl doing standard squats seriously in free training area, movements smooth and stable. Camera handheld tracking from right rear, first slowly retreating to keep full body in frame, then slightly lifting as she stands up, like a friend walking and filming, picture has slight breathing feel and natural shaking, creating illusion of her being very self-disciplined and hardworking. Shot 2 | 4-8s Misleading Continued Training Hard cut to side tracking shot, girl standing holding small dumbbells doing bicep curls, slightly sweating, serious exertion, calm and focused expression. Camera close to her side front, first slight lateral movement, then slowly pushing close to upper body, background equipment naturally passing by, audience thinks this is a self-disciplined fitness video. Shot 3 | 8-12s First Layer Twist Girl suddenly puts down dumbbells, expression changes from focus to relaxation, long sigh. Camera continues handheld following her to training bench. She sits down, takes out fried chicken and iced milk tea from bag, actions natural and skilled, tears open packaging. Camera quickly but slightly pushes close when she takes things out, forming candid comedic effect. Shot 4 | 12-15s Ultimate Twist Camera directly pushes close to face and fried chicken/milk tea in same frame. Girl naturally bites fried chicken, drinks milk tea, looks at camera, says in casual tone: "Eat full to have strength to lose weight." Expression calm afterwards, like saying something normal. Ending stays on her calm eating contrast face, handheld camera has extremely slight forward/backward shaking, enhancing friend's secret filming feel. [Visual Quality] Ultra-realistic live-action, original camera HD quality, real skin texture, pores, sweat beads and natural skin tone, slight environmental noise in gym, natural indoor top light, do not use movie-grade refined lighting. Camera movement mainly handheld tracking, slight push-in, slight lateral movement, rhythm casual, no gimbal smooth motion. Direct hard cuts between scenes, no fancy transitions. [Sound Effects] Gym distant equipment collision sounds, slight footsteps, girl's training breathing sounds, packaging tearing sound, fried chicken chewing sound, milk tea straw sound. Dialogue clear and natural, no exaggerated dubbing feel. Add short light funny music point after dialogue ends. [Negative Prompts] Deformed fingers, twisted limbs, extra fingers, missing fingers, face collapse, misaligned facial features, AI fake face, plastic skin, excessive beauty filter, silicone face, exaggerated contact lenses, deformed body, disproportionate ratio, abnormal head-to-body ratio, floating objects, object clipping, screen flickering, object drifting, cartoon rendering, 3D animation, hand-drawn, illustration, screen subtitles, text, fancy fonts, watermarks, logos, borders, strong filters, soft light smoothing, stabilizer smooth motion, fixed camera position, stiff posing, stage lighting, pale fake light, excessive lighting, extra people, messy distracting clutter, exaggerated performance, awkward acting, affected expressions

① Blackboard (First frame image 1 / 10 seconds) Morning cafe. On a blank blackboard, chalk lines appear stroke by stroke on their own, forming three horizontal lines of text: 'Today's Recommendation / Chestnut Mont Blanc / 680 Yen'. Fixed camera. ② Hikari (Reference image 1 / 10 seconds) Morning park. Walking from right to front. Opens one hand to show '5' while saying 'It starts in five minutes!' ③ Window (Reference image 1 / 10 seconds) Daytime Japanese room. Walks towards the window, pushes the sliding door open sideways. Sound of rail resistance. Wind slightly moves papers on the desk. ④ Two Anime Characters (Reference image 1 / 30 seconds) Both in Japanese 2D anime style. Daytime riverbank. One plays bass, the other dances spinning around. High-five at the end, then says 'Let's play with sound!'. No cuts for 30 seconds, camera orbits half-circle around the two.

A zombie and an alien walk into a donut shop at 2am only one donut left FORMAT: 30 seconds | 24fps cinematic | ultra photorealistic live action | studio comedy action | practical prosthetic creature makeup | VFX time freeze | 2am fluorescent night interior. Real-time, no random slow motion. NO ON-SCREEN TEXT - CRITICAL: no captions, subtitles, titles, logos, watermarks, timecode or UI at any point. Menu board and case labels are blank coloured panels, never legible. IDENTITY LOCK: the same two leads in every shot, never changing face, skin, height, wardrobe or props. No morphing, no extra fighters. The cashier and four customers become frozen statues after 0:03 and never move, blink or react until 0:27. CHARACTERS THE ZOMBIE: 6 foot 2, gaunt, grey-green mottled skin with dry cracked patches, cloudy pale eyes, sunken sockets, lank dark hair, no wounds, no blood. Torn navy night-shift security uniform, crooked clip-on tie, one shoe untied. Moves stiff and heavy, then surprisingly quick. Voice: deep gravelly rasp, slow, every word an effort. THE ALIEN: 4 foot 10, slender, smooth pale lilac skin, large glossy black almond eyes, small nostril slits, narrow bald cranium, long four-fingered hands. Oversized yellow tourist rain poncho, small cross-body camera. Voice: light, clipped, overly correct English with a faint electronic flutter. ENVIRONMENT: a narrow 24-hour donut shop at 2am. Cream tile floor, chrome stools, a lit glass display case along the right wall, all trays empty except exactly ONE glazed donut on a paper doily, glowing under the case light. Rain streaking the front window, a red traffic light outside. 0:00-0:03 THE FREEZE Handheld medium down the counter. A customer drops a coffee cup, coffee arcing. The zombie and the alien lunge at the case from opposite ends. Sound drops out. Everything stops: coffee hangs as a glossy brown ribbon, raindrops pinned on the glass, the cashier's yawn locked open. Only the two leads keep moving. 0:03-0:08 REALIZATION Both straighten, look at the hanging coffee, then each other. Slow 30 degree orbit. ALIEN: "I have crossed four galaxies for this donut." ZOMBIE: "I... died... for this donut." ALIEN: "That is not the same thing." 0:08-0:13 FIRST EXCHANGE The zombie swings a long stiff arm, the alien ducks, slides on wet tile and kicks a stool into his shins. He topples, catches the counter, groans. Whip pan as she vaults onto the counter. 0:13-0:18 THE FLASH She snaps her camera in his face, a hard white flash. He staggers, then pulls a folded umbrella from a frozen customer with real effort, the customer staying rigid. ZOMBIE: "Rude." 0:18-0:23 COUNTER FIGHT Fast tracking shot. She leaps stool to stool over frozen shoulders, he swings the umbrella, she parries with a frozen customer's rolled newspaper. Three crisp readable exchanges. His clip-on tie pops off. Her hood flops over her eyes. 0:23-0:27 TRUCE Both stop, breathing hard, hands on knees, coffee ribbon between them. ALIEN: "Share?" ZOMBIE: "Share." They shake hands, four lilac fingers in a grey palm. Micro pause. Both eyes flick to the donut. 0:27-0:30 TIME RESUMES Both dive at the case. The world unfreezes: coffee splashes down, the cashier finishes the yawn, customers jolt, rain runs, fridge hum slams back. LAST FRAME: locked medium wide down the counter. The zombie and the alien pressed cheek to cheek at the open case, both gripping the one donut, glaze stretching between their hands, both grinning, coffee spraying through the light. Cashier and customers turn to stare. No text, captions, subtitles, signage lettering, logos or watermarks anywhere in frame. CAMERA: controlled handheld in exchanges, smooth dolly and orbit on freeze reveals, low angle for the zombie, eye level for the alien, fast whip pans. Shallow depth on dialogue, consistent screen direction. LIGHT AND COLOUR: cold overhead fluorescent key, warm amber case glow on faces and the donut, red street light through the rainy window. 70% cool tile and skin, 20% case amber, 10% red. VFX AND PHYSICS: frozen liquid holds surface tension and highlights. The resume restores gravity in one continuous frame, no morphing, no dissolve. Stools scrape and tip, his heavy fall shakes the counter, she lands light, poncho crackling and lagging, true contact shadows. Nothing floats except the deliberately frozen. ACTING: natural blinking, active brows on the zombie, the alien's eyes narrowing and widening, dry deadpan timing. Only the speaker's mouth forms words. AUDIO, DIEGETIC ONLY: fridge hum and rain before the freeze. During it near-silence: breathing, a dry groan, sneaker squeak on wet tile, poncho crackle, stool scrape, umbrella whoosh, shutter clack. At resume: splash, gasps, rain and hum return. These are the only words spoken. No music, no score, no humming, no swell, no drone. LOCKS: No blood, no gore, no wounds. No duplicated people, no extra limbs, the alien always has four fingers. No wardrobe or face changes, no cartoon physics, no excessive shake. Dry comedy, readable fight, coherent physics.

The Wrong Coffee — Midtown Manhattan, New York Duration: 30 seconds | Aspect Ratio: 16:9 | Style: Cinematic luxury editorial Character References: Use the two supplied images strictly as character references, not starting frames. The man, Alex, is a confident, successful Manhattan finance executive. Preserve his exact face, dark tailored suit, tie, and hairstyle. The woman, Allisa, is the second character; preserve her exact identity, hairstyle, and elegant fitted outfit. Visual Continuity: Warm, slightly vintage editorial photography with amber highlights, muted contrast, subtle film grain, and realistic skin texture. Consistent color across every scene. No artificial glow or plastic skin. Environmental Accuracy: All visible signage, menus, names, and street text must be correctly spelled and legible. No gibberish. Scene 1 — Morning Coffee (0–4s) Inside an upscale Midtown Manhattan coffee shop with polished stone counters, sophisticated interiors, and busy professionals. Alex approaches the counter, composed and confident. No coffee cups are visible on the counter. Camera positioned behind Alex, looking toward the counter. A beautiful barista in her very early twenties, with striking model-like features and a naturally charismatic presence, turns slightly toward the off-camera coffee preparation area. Alex, casually: "Double espresso, please. My name is Alex." Barista, friendly: "Coming right up." Display exactly "Midtown Manhattan, New York" in the lower third, horizontally centered at the bottom of the frame, Poppins Semi-Bold 600, white (#FFFFFF), on a rounded charcoal-slate (#17212B) background at 60% opacity. No extra characters. Scene 2 — The Barista (4–7s) Camera positioned behind Alex, but a different POV from Scene 1, looking toward the counter. Barista, calling clearly: "Double espresso for Alex!" Alex remains absorbed in his phone. No coffee cups are shown in this shot. Scene 3 — The Wrong Cup (7–11s) Two takeaway coffees are placed side by side on the pickup counter by an unseen employee. One cup is clearly labeled ALEX, the other ALYSSA. Still looking at his phone, Alex reaches with his free hand and mistakenly picks up only the cup labeled ALYSSA. He walks away carrying it, unaware of the mistake. His actual coffee, labeled ALEX, remains on the counter. Scene 4 — The Sidewalk (11–14s) Outside, Alex walks briskly along a busy Midtown Manhattan sidewalk, carrying ALYSSA's coffee in one hand while continuing to look at his phone in the other. Behind him, ALYSSA exits the same café that Alex just came out of, holding his coffee and spots him ahead. Scene 5 — The Encounter (14–19s) ALYSSA catches up to Alex on the sidewalk. ALYSSA, lightly amused: "I think you grabbed my coffee." Alex looks up from his phone, stops, and glances at the cup. Alex, looking at his cup, and then ALYSSA, with an apologetic smile: "Oh, you're right. Sorry about that." They naturally exchange cups. Alex puts his phone away. Scene 6 — Same Direction (19–24s) Alex gestures down the sidewalk. Alex, casually: "Which way are you headed?" ALYSSA, pointing ahead: "Same way as you, apparently." Alex, smiling: "Well, that's convenient." They share a laugh and begin walking together, talking comfortably. A fixed camera captures them moving away down the sidewalk until they exit the frame. Scene 7 — An Unexpected Connection (24–30s) Hard cut to a fixed camera position farther down the same Midtown block. Alex and ALYSSA walk side by side, coffees in hand, enjoying an animated conversation. Allisa, playfully: "So, is this your usual morning routine?" Alex, amused: "Not usually this interesting." Allisa laughs naturally, completing her laugh without interruption. They continue walking and talking, moving toward the right side of the frame. Both characters fully exit the frame to the right. Hold the empty sidewalk for the final 0.5 seconds before ending. Direction: Natural conversational dialogue, accurate lip-sync, subtle emotional expressions, and realistic physical interactions. Alex keeps his phone in one hand throughout Scenes 2–4 and picks up only Allisa's coffee with his free hand. The ALEX cup stays behind until Allisa retrieves it. Maintain exact cup ownership and continuity. Varied cinematic tracking and close-ups, with fixed camera positions for the walking exits. Clean instantaneous hard cuts. Allow dialogue, reactions, and laughter to finish naturally. No slow motion, morphing, subtitles, or music.

Two onion rings arguing over the last bit of sauce and have em sliding and fighting for the last bit of sauce ..

She sitting inside of her model 3 selfie style drinking in n out soft drink talking about how she choose EV life because she hates getting oil changes from jiffy line or Midas 1080p video 1 min

Multi-shot 9:16 video, photorealistic time-lapse renovation ad, static camera, bright white room with concrete floor and window: Shot 1 (0-3s): man in orange overalls rakes a huge pile of cucumber slices, spreading them across the entire floor. Shot 2 (3-6s): man and woman in red overalls pour white self-leveling epoxy from buckets over the cucumbers. Shot 3 (6-9s): they squeegee the resin flat; cucumbers vanish under glossy white liquid. Shot 4 (9-13s): workers in yellow hi-vis vests polish the floor with grinding machines, revealing cucumber slices embedded in white terrazzo. Shot 5 (13-17s): man in orange kneels, touching the finished glossy surface. Shot 6 (17-20s): two workers assemble a beige bed in the room. Shot 7 (20-23s): final empty bedroom, white bed, side table with eucalyptus vase, designer floor with green cucumber cross-sections. Fast motion, motion blur on people, consistent lighting and geometry, 4K, satisfying ASMR vibe.

The opening frame is Image 1 and the snack the girl is eating is Image 2 From 0–0.5 seconds, use a medium shot to establish the setting: the girl is sitting alone on the sofa in a dimly lit living room. The only light in the room comes from the television, which is playing a Resident Evil zombie movie. The camera then moves in closer, showing her clutching a large bag of snacks. She watches the movie nervously while mechanically stuffing snacks into her mouth. Image 3 Cut to a close-up of the girl. A pale, blood-stained hand quietly rests on her shoulder, slowly reaching out from behind her and directly into the snack bag in her arms. Her entire body freezes. She slowly turns her head. Reverse angle: a zombie is standing behind her. Once the girl comes to her senses, she immediately hugs the snack bag tightly. The monster refuses to give in and reaches over to snatch it away. This tug-of-war over the snacks should last for a long time and be very funny. Suddenly cut to a medium shot: Image 4 the two of them are now sitting side by side on the sofa, watching television and eating snacks together. The camera zooms in on a close-up of the product.

Vertical 9:16 photorealistic satisfying renovation video, one continuous scene in a bright empty room with white walls, bare wooden floor and a large sunlit window on the right. Shot 1: A bearded man in a gray t-shirt and blue denim overalls vigorously rakes a huge conical pile of thousands of colorful jelly bean candies, spreading them into an even layer that covers the entire floor. Shot 2: A woman in red overalls and a gray t-shirt pours thick glossy white epoxy resin from a large white bucket; the creamy liquid flows over the candy layer and spreads outward, fully covering the colorful beans. Shot 3: A worker in a neon-yellow safety vest and black cap grinds the cured white floor with a professional floor polishing machine; the top layer is buffed away, revealing thousands of colorful jelly beans embedded under a crystal-clear, mirror-glossy epoxy surface, like candy terrazzo. Shot 4: Two men in black t-shirts and black caps quickly assemble a wooden bed frame, set a white mattress on it, and make the bed with crisp white bedding, all in fast-forward motion. Final shot: Slow beauty shot of the finished minimalist bedroom — a luxurious mirror-shiny floor filled with colorful candy under transparent epoxy, sunlight reflecting off the polished surface. No people. Style: viral satisfying DIY renovation timelapse, static wide-angle camera from the doorway, natural daylight, ultra-detailed, smooth realistic physics of pouring liquid and rolling candy.

I'm in an Italian restaurant. There's a bottle of red wine and two wine glasses on the table. There are two seafood plates. The waitress was lighting candles on the table.

Create a cinematic, ultra-realistic food video showing chicken biryani preparation in a rustic kitchen. Show onions being sliced, chicken coated in golden yogurt marinade, and spices sizzling in a traditional copper pot over a blue gas flame. Add marinated chicken, fluffy basmati rice, saffron-colored liquid, fried onions, and fresh herbs. Capture bubbling gravy, rising steam, realistic stirring, and natural ingredient movements. End with the lid lifting to reveal beautifully layered golden and white rice with tender chicken, followed by a macro close-up of the finished biryani garnished with fresh mint and lemon. Warm cinematic lighting, detailed food textures, realistic cooking physics, smooth camera movements, appetizing presentation, vertical 9:16, 30 seconds, no text, no logos, no watermark.

Vertical 9:16 photorealistic video, static frontal close-up shot. A powerful industrial hydraulic press with polished chrome columns and a steel piston slowly descends onto a transparent acrylic cylinder chamber filled with halved hard-boiled eggs, glossy yellow yolks facing the camera. As the heavy metal plate presses down, the eggs compress, crack and burst, releasing creamy pale-yellow egg mixture that squeezes out through a steel spout at the bottom, flowing in a thick creamy stream into a round stainless steel bowl below. Bright clean industrial factory background, soft fluorescent ceiling lights, blurred workshop interior. Satisfying ASMR hydraulic press crushing style, ultra-detailed textures, realistic fluid physics, smooth slow pressing motion, shallow depth of field, 4K quality.

Create a 15-second ultra-realistic 16:9 landscape video featuring the same naturally attractive 24-year-old Korean woman, with long loose dark hair, minimal makeup, an oversized maroon hoodie, and loose casual pants. She is walking along a quiet European-style street in the early morning, carrying a long baguette in a brown paper bag. Preserve her exact face, outfit, hair, and body proportions across every shot. Shot 1 — 0–3 seconds: A medium-wide handheld shot from behind and slightly to the side. She walks casually along the sidewalk, holding the paper bag with the baguette sticking out. The camera follows her like a friend casually filming home video. Shot 2 — 3–6 seconds: The bottom of the paper bag suddenly tears. The baguette slips out, drops onto the sidewalk, and begins rolling away. She notices it and stops mid-step, looking down in surprise. Shot 3 — 6–9 seconds: A low-angle handheld shot follows the baguette rolling along the pavement. It wobbles realistically, briefly bumps against a small uneven patch, and continues rolling. Her shoes enter the frame as she hurries after it. Shot 4 — 9–12 seconds: A quick, imperfect camera reframe catches her bending down and reaching for the baguette just as it rolls a little farther away. She makes a small, playful lunge and finally grabs it with both hands. Shot 5 — 12–15 seconds: A slightly crooked medium shot captures her standing up, inspecting the baguette, then looking toward the camera with an embarrassed, amused smile. She hugs it against her hoodie as if she has rescued something precious, then laughs naturally. Visual style: Authentic early-2000s Sony MiniDV home-video footage, filmed by another person, not a selfie. Slight handheld shake, imperfect framing, natural camera corrections, occasional autofocus hunting, subtle exposure shifts, faded colors, soft contrast, realistic skin texture, and ordinary morning street lighting. The moment should feel spontaneous, cute, and unintentionally funny rather than staged or cinematic. Motion and physics: Natural human movement, believable gravity, realistic rolling and friction, continuous real-time motion. No floating baguette, no impossible bouncing, no sudden teleportation, no duplicated objects, no stuttering, no judder, no frame skipping, no slow motion, and no exaggerated cartoon reactions. Audio: Natural street ambience, footsteps, paper bag rustling, the baguette softly hitting the pavement, and her genuine little laugh. No music, narration, or artificial sound effects.

Can you soften her tone. Have say ready for action feel the power of coffee let’s go

Do a 8 sec creative ads video for a coconut Be creative and use whatever resources you can

25s handheld selfie vlog in an old Chinese water-town market, stone lanes, red lanterns, wooden stalls. Curly-haired girl in cream tank + blue skirt tastes peaches, scallion pancake, pastries and tea, chatting with friendly vendors.

Deadpan fantasy cocktail service in a neon bar, stylized 3D, cyan-blue light with magenta rims. Bob-haired bartender in round glasses; customer in cracked sunglasses and high collar. 5 shots, continuous time, bar ambience, calm English dialogue.