All Video Prompts

Replace the person in this video with the person in the reference image. Keep the same motion, head movement, talking, camera, and background. Seamless realistic face swap. Match lighting. High detail.

Create a cinematic hyper-realistic miniature scene of a narrow old European-style village street completely flooded with water. Dozens of tiny construction workers wearing yellow safety helmets and work clothes are standing and sitting along both sides of the flooded street, looking worried and waiting for help. A giant human hand enters from above holding a small powerful orange-and-black water pump machine. The hand carefully places the pump into the flooded street. The pump starts working and rapidly drains the water, creating realistic ripples, swirling currents and splashing water. As the water level drops, the wet cobblestone road gradually becomes visible. The tiny workers react with excitement and relief as the street transforms from a flooded road into a dry cobblestone street. Maintain a strong scale contrast between the giant hand, machine, and miniature people. Vertical 9:16 composition, macro photography, shallow depth of field, realistic water physics, detailed miniature characters, cinematic lighting, realistic textures, smooth camera movement, highly detailed, photorealistic, satisfying transformation, 4K, no text, no subtitles.

Create a 20-second ultra-realistic cinematic travel video, 9:16 vertical, 4K HDR, photorealistic live-action, premium Korean travel-film quality. Use the uploaded reference images as exact identity references for the couple. Preserve their faces, hairstyles, skin tones, body proportions, clothing and accessories consistently throughout. No identity changes. LOCATION: Authentic Gamcheon Culture Village, Busan, South Korea. Colorful hillside houses, narrow alleys, stone stairs, murals, small local shops, rooftops and distant Busan coastline. Realistic Korean architecture and environment. 0–4s: Rear tracking shot of the couple walking naturally uphill through a narrow colorful alley. Traditional hillside houses surround them. Warm afternoon sunlight, realistic shadows, subtle coastal breeze and natural clothing movement. 4–8s: Camera smoothly moves to their side as they continue walking. They look around naturally at the colorful houses and murals. One briefly points toward the higher viewpoint. A few distant tourists remain softly out of focus. 8–12s: They reach a stone staircase and climb naturally. Camera moves slightly ahead while facing them. Keep the same faces, clothing and environment. 12–16s: They arrive at a small elevated viewpoint and stop. Camera slowly circles around them, revealing the colorful hillside filled with densely packed houses, rooftops and distant blue sea. Natural expressions of quiet amazement. 16–20s: Camera smoothly rises into a wide aerial reveal while keeping the couple visible below. Reveal the full colorful Gamcheon hillside, winding streets and Busan coastline. End on a breathtaking cinematic wide shot. CAMERA: Smooth professional gimbal movement, realistic perspective, natural depth of field, subtle motion blur, physically accurate lighting and shadows. AUDIO: Natural footsteps, light wind, distant Korean neighborhood sounds, soft tourist ambience and birds. NEGATIVE: cartoon, anime, CGI look, plastic skin, face distortion, identity drift, changing clothes, duplicate people, extra limbs, malformed hands, unnatural walking, warped buildings, distorted stairs, teleportation, flickering, excessive camera shake, oversaturated colors, text, subtitles, logos, watermark.

Create a 30-second, 16:9 ultra-realistic handheld lifestyle vlog following the young Japanese woman in her 20s through an ordinary day in Kyoto. Keep her face, identity, hairstyle, body, outfit, accessories, and proportions perfectly consistent. She wears a fitted pastel yellow short top, straight-leg light denim jeans, yellow canvas sneakers, a small tan tote bag, and thin gold hoop earrings throughout. Style: Genuine footage filmed casually by a close friend on a smartphone/compact camera. Handheld shake, imperfect framing, autofocus/exposure shifts, natural motion blur, mild digital noise, realistic skin texture, occasional late camera reactions. No gimbal, drone, cinematic choreography, slow motion, beauty filter, or commercial look. 0–5s: Quiet residential Kyoto street, narrow lane with wooden facades. She steps out of her apartment, glances at her phone, notices the camera, smiles softly, tucks her hair behind her ear and says naturally: "今日も一緒に行こう。" 5–11s: Enters a small neighborhood bakery/konbini-style shop, notices a fresh melon pan and says: "これ、いい匂いがする。" Buys it, takes a bite outside, and smiles at the camera. 11–17s: Boards a local city bus and sits by the window. Kyoto streets and old buildings pass outside with realistic reflections and sunlight. She quietly says: "こういう日は、歩きたくなるな。" 17–23s: Gets off near a canal-side walking path. Buys a drink from a small vending machine or cart. A cyclist passes unexpectedly close; she steps aside, laughs, and says: "今、ちょっとびっくりした。" 23–27s: Golden-hour canal-side scene. She sits on a low stone ledge or bench, places her drink beside her, removes one earbud, watches the water, and gives a small genuine smile as the wind moves her hair. 27–30s: She stands and walks away. After a few steps, looks back and says: "次は一緒に来てね。" She continues walking as the camera follows behind. Recording naturally ends around 29.5s. REALISM: Accurate human biomechanics, grounded feet, continuous objects, realistic bus movement, natural walking/eating/sitting, consistent architecture and wardrobe. No teleportation, morphing, identity drift, duplicated/disappearing objects, distorted hands or limbs. AUDIO: Natural Japanese dialogue with accurate lip-sync, phone-mic quality, footsteps, traffic, birds, bakery sounds, bus engine, bicycle bell, wind and city ambience. No music, narrator, or cinematic SFX. Absolutely no subtitles, captions, on-screen text, logos, watermarks, or UI.

Moving along the castle walls while looking down at the steampunk-style city at night.

Preserve the exact facial features, identity, skin tone, and natural facial proportions from @image1 throughout. Do not copy the reference hairstyle or outfit. Outfit: lightweight cream sleeveless blouse, high-waisted faded blue jeans, white canvas sneakers, small gold hoop earrings, loose natural wavy hair. Authentic Korean woman. Late-2000s personal vlog aesthetic. Extremely raw handheld flip-camera footage with heavy camera shake, spontaneous reframing, partial face crops, focus hunting, exposure shifts, warm faded colors, mild digital noise, and authentic home-video imperfections. No posing, no cinematic glamour, no stabilization, no modern color grading. 00:00–00:04 Walking quickly down a narrow seaside alley while holding the camera, suddenly spotting the ocean at the end of the street. She turns the camera toward it and excitedly says in Korean, "Wait, I can see the ocean!" 00:04–00:08 Runs toward a small harbor, laughing as the camera shakes heavily. She reaches the railing, leans over carefully, and watches fishing boats moving across the water. 00:08–00:12 Spots a fisherman pulling in a small fishing net and asks if she can help. She grabs one end of the net, struggles with the weight, laughs, and says in Korean, "It's much heavier than I thought?" 00:12–00:16 The fisherman shows her a freshly caught fish. She reacts with wide-eyed surprise, steps backward laughing, then cautiously reaches out to touch it while saying, "Wow, it's really big!" 00:16–00:20 Walks into a tiny harbor-side snack shop, discovers a bowl of freshly made fish cake soup, sits at the counter, takes a sip, and smiles with satisfaction. 00:20–00:24 Steps outside holding the warm cup, notices a group of neighborhood grandmothers playing a casual Korean card game at a plastic table. She joins them briefly, laughs at their playful reactions, and gestures toward the camera. 00:24–00:27 Walks along the harbor promenade eating a small ice cream, filming boats and seagulls before accidentally getting a little ice cream on her nose. She notices it and laughs. 00:27–00:30 Stops beside the harbor railing as the wind moves her hair, turns the camera toward herself, smiles naturally, and says in Korean, "Today was really fun. I'll come back next time. Bye!" She waves and the recording ends abruptly. Natural ambience only: ocean waves, seagulls, fishing boats, harbor conversations, footsteps, wind, net ropes, shop sounds, card-table laughter, distant scooters, and neighborhood activity. No background music, subtitles, logos, or watermarks. The footage should feel exactly like a genuine late-2000s handheld flip-camera Korean vacation vlog with spontaneous actions, imperfect framing, authentic Korean dialogue, realistic human movement, and natural interactions. Aspect ratio: 16:9.

Create a 30-second ultra-photorealistic cinematic commercial for Nike Air Max, combining premium sports advertising, creativity, subtle comedy, and a surprising twist. Keep the female creative director’s face, hairstyle, clothing, body proportions, and appearance perfectly consistent throughout. 0–4s — THE DEADLINE Late-night creative studio. A stylish young female creative director sits surrounded by monitors and unfinished projects. Nike Air Max sneakers sit on her desk. Notifications appear rapidly. She says: “Five projects. One deadline.” 4–8s — THE IDEA She looks at the Nike Air Max, gets an idea, rapidly creates a campaign on her computer, and hits ENTER. The screen flashes. 8–16s — THE CAMPAIGN A powerful athlete wearing the same Nike Air Max runs through multiple cinematic environments: a futuristic city at sunrise, rain-soaked streets, and mountains. Show extreme close-ups of the sneakers, realistic Air Max cushioning compression, pavement impacts, water splashes, and seamless match cuts between locations. 16–21s — DONE Back in the studio, her monitors display polished Nike Air Max campaign visuals. Only seconds have passed. Shocked, she says: “Wait… that's it?” 21–26s — THE TWIST She relaxes with coffee. A notification appears: CAMPAIGN APPROVED. She smiles. Another appears: CLIENT: “Can we make 10 more?” Her smile disappears. She looks at the camera and says: “Never mind.” 26–30s — HERO REVEAL Extreme cinematic product shot of Nike Air Max on a dark reflective surface. Dramatic lighting, floating particles, slow camera rotation. Final frame: NIKE — JUST DO IT. STYLE: Ultra-photorealistic, premium global sports commercial, cinematic lighting, realistic skin, fabric, reflections, shadows, natural motion, dynamic camera movement, shallow depth of field, subtle slow motion. No cartoon style, distorted anatomy, fake logos, fake text, watermarks, or altered shoe design. AUDIO: Keyboard and notification sounds at the start, building into energetic cinematic music during the running sequence. Powerful footsteps, sneaker impacts, water splashes, and bass hits. Music drops for the comedy moment and ends with a strong cinematic hit.

Idea: “The Girl Who Accidentally Switched Bodies With a Cat” 🐱😂 0–3 sec: A Korean girl comes home exhausted, drops her bag on the sofa, and dramatically collapses beside her lazy orange cat. 4–6 sec: She picks up the cat and complains, “I wish I had your life.” The cat stares at her. A tiny spark suddenly flashes between them. 7–9 sec: Both blink. The girl looks down—and sees tiny orange paws instead of her hands. She panics. 10–12 sec: At the exact same moment, the cat looks down at itself, now standing on two human legs. It stares at the girl and casually says, “Finally. Your turn.” 13–15 sec: The cat confidently walks toward the kitchen while the girl, now in the cat's body, desperately follows. 16–18 sec: The cat opens the refrigerator, takes out expensive food, and starts eating. The girl tries to stop it, but can only meow angrily. 19–21 sec: The cat suddenly grabs her phone and starts scrolling through it. Its eyes widen. “Ohhh… so THAT'S why you were texting him!” 22–24 sec: The girl freezes in embarrassment and chases the cat around the living room. The cat laughs and runs away with the phone. 25–27 sec: They suddenly hear the front door unlocking. Both freeze. Her parents/owner are coming home. 28–30 sec: They quickly run back to the sofa and switch places again. She returns to normal and sits innocently beside the cat. The cat looks at her and whispers, “Your secret is safe… for now.” She stares at it in horror. Style: high-quality Korean anime comedy, expressive faces, cute orange cat, cinematic apartment, smooth physical animation, comedic timing, natural lighting and sound.

Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, skin tone, makeup, body proportions, Style: Early-2000s MiniDV home-video aesthetic, photorealistic live-action, shaky handheld camera, slight autofocus hunting, natural exposure shifts, motion blur, imperfect framing, warm afternoon light, authentic everyday atmosphere. A young woman from Korea wearing a fitted crop pink pastel tshirt spends a casual afternoon with her boyfriend in a quiet neighborhood. She films herself walking down the street, smiling at the camera while her boyfriend walks beside her. They stop at a small street-food stall, share a snack, laugh together, and continue walking. She playfully steals his sunglasses and puts them on, making him laugh. They sit together on a low wall, talk and tease each other, then walk through a small park while she records little moments on the handheld camera. As the sun begins to set, they stop under a streetlight. She turns the camera toward him, they exchange a warm smile, move closer, and share a brief natural kiss on the lips. The camera stays handheld and slightly imperfect as they laugh afterward and walk away together. Audio: Natural street ambience, footsteps, distant traffic, birds, casual conversation and laughter. No music. Negative prompt: No subtitles, text, logos, watermarks, identity changes, outfit changes, duplicate people, distorted hands, unnatural movements, or AI artifacts.

Shot 1 (0–1.2s): Character matching reference image, seated on a stopped train, feverish and sweating as red checkpoint lights sweep outside. Shot 2 (1.2–2.4s): Soldiers and officials board, inspecting passengers with flashlights while everyone watches nervously. Shot 3 (2.4–3.6s): Close-up of her trembling hand; veins darken beneath her skin as her breathing becomes shallow. Shot 4 (3.6–4.8s): Official checks documents and stops beside her, unaware of the danger. Shot 5 (4.8–6s): Her eyes cloud white and her head tilts unnaturally toward him. Shot 6 (6–7.2s): She suddenly bites his arm; extreme close-up, shocked reaction, cinematic slow motion. Shot 7 (7.2–8.4s): Passengers scream and retreat as the injured official stumbles into the aisle. Shot 8 (8.4–9.6s): His bite wound rapidly develops branching dark veins as the infection spreads. Shot 9 (9.6–10.8s): Soldiers outside notice the chaos through the windows and raise the alarm. Shot 10 (10.8–12s): The official convulses violently under flickering lights. Shot 11 (12–13s): His eyes snap open bloodshot and empty—the transformation complete. Shot 12 (13–14s): He attacks a nearby passenger, triggering mass panic inside the confined car. Shot 13 (14–15s): Passengers rush for the doors, but soldiers outside slam and lock them shut. Shot 14 (15–16.2s): Soldier seals the exterior lock as passengers pound desperately on the glass. Shot 15 (16.2–17.4s): Wide view: passengers realize they are trapped inside the sealed train car. Shot 16 (17.4–18.6s): A newly bitten passenger transforms within seconds and attacks others. Shot 17 (18.6–19.8s): Survivors retreat toward the back, trapped between sealed doors. Shot 18 (19.8–21s): A passenger grabs a fire extinguisher and braces against the approaching infected. Shot 19 (21–22.2s): He blasts them with white extinguisher spray, filling the car with fog. Shot 20 (22.2–23.4s): Soldiers watch silently from outside with weapons raised, unsure whether to intervene. Shot 21 (23.4–24.6s): Fully infected character presses against the sealed door glass while survivors corner themselves. Shot 22 (24.6–25.8s): Survivors barricade inside a restroom as pounding and screams echo outside. Shot 23 (25.8–27s): Wide shot of infected and survivors battling inside the sealed car beneath harsh checkpoint lights. Shot 24 (27–28.2s): Soldier radios for backup as the train rocks from the chaos within. Shot 25 (28.2–30s): Exterior wide shot: motionless train at the checkpoint, sealed doors, fogged windows and silhouettes struggling inside trapped-horror ending.

30 seconds, 16:9 widescreen. Produce a high-quality, sophisticated, and calm fictional one-story house tour video reminiscent of a property introduction by a major Japanese real estate company. Combine live-action style architectural footage with a natural Japanese female guide, understated background music, and easy-to-read Japanese captions. [Reference Images] Image 1: Standard for the guide's face, hairstyle, and outfit. Multiple views of the same person; do not show multiple people on screen at once. This reference material itself should not appear in the video. Image 2: Welcome in front of the entrance. Image 3: Entrance storage and hallway. Image 4: LDK (Living, Dining, Kitchen). Image 5: View from the kitchen to the garden. Image 6: Master bedroom and walk-in closet. Image 7: Exterior view from the garden side. [Consistency of Person and Residence] The guide is the same 27-year-old Japanese woman as in Image 1. Navy pantsuit, ivory blouse, pearl earrings, hair tied back low. Intelligent and friendly smile, polite and understated gestures. Black pumps outdoors, beige slippers indoors. Unify the face, physique, outfit, and voice throughout the video. The residence is the same one-story house as in the reference images. White walls, light oak wood, calm furniture, black window frames. Prioritize the corresponding image for the background of each cut; do not arbitrarily change windows, doors, furniture, or layout. [Video Direction] Finish with natural brightness, soft window light, delicate textures, and restrained tones, like a luxury home tour. Architectural photography where straight lines are not distorted. The camera is limited to moving slowly forward or short horizontal pans. Movement between locations is expressed through editing cuts. Do not use camera movements that pass through walls or doors, or scene transitions involving morphing between rooms. The woman should only make small gestures in place, without complex walking or opening/closing doors. [30-Second Composition] 0.0–4.5s | Welcome in front of the entrance Based on Image 2, slowly approach from a wide shot showing the house and the woman together. The woman smiles at the camera and gently gestures toward the entrance. Woman's dialogue: "Welcome to the one-story house where you can feel the warmth of wood." Caption: "A one-story house living with the warmth of wood" 4.5–8.5s | Entrance Storage Cut to Image 3. Maintain a composition that shows the entrance storage and hallway. The woman naturally gestures toward the storage. The camera moves slightly sideways. Woman's dialogue: "In the entrance, storage that fits everything neatly." Caption: "Entrance Storage" 8.5–14.5s | LDK Cut to Image 4. Show the dining, kitchen, and living areas broadly. The woman shifts her gaze from the camera to the room and introduces it with small gestures. Communicate the spaciousness with a slow pulling motion. Woman's dialogue: "The living room where the family gathers is bright and open." Caption: "A living room filled with light" 14.5–19.5s | Kitchen and Garden Cut to Image 5. Show from the kitchen in the foreground to the wooden deck through the window. The woman gestures toward the garden. The camera moves forward slightly, emphasizing the view of the garden. Woman's dialogue: "From the kitchen, you can see all the way to the garden." Caption: "Openness connecting to the garden" 19.5–25.0s | Master Bedroom and Storage Cut to Image 6. Show the woman, bed, and open walk-in closet together. The woman introduces the storage and finally looks back at the camera. Woman's dialogue: "The bedroom is also equipped with a walk-in closet." Caption: "Master Bedroom / Walk-in Closet" 25.0–30.0s | Garden-side Exterior / Ending Cut to Image 7. A gentle pull shot showing the whole house and the wooden deck. Do not add the person to this cut; layer the same woman's voice as narration. Narration: "A comfortable daily life, starting from this home." Caption (centered-bottom): "A comfortable daily life, starting from this home." Small text at the very bottom: "Image of a fictional property introduction" Settle the composition in the last second and end naturally with the music. [Voice & BGM] The woman's voice is calm, clear, standard Japanese. Use a natural customer service tone, not rushed, leaving short resonances between lines. Match lip movements with the dialogue in scenes where the woman appears. Narration is off-screen only at the end. Use the dialogue exactly as specified; do not add extra explanations or English. The BGM is an original instrumental with soft piano and light strings. Calm tempo, elegant and warm atmosphere. Play the same song throughout; do not reset the music at scene changes. Keep the volume low enough that the voice is always clear, and fade out naturally at the end. No vocals, strong beats, or flashy sound effects. [Captions] Display only the specified short Japanese accurately. Usually placed in the margin at the bottom left of the screen, in an easy-to-read white Gothic font with a light shadow. Leave enough margin from the screen edges, and do not cover the face, hands, or equipment being introduced. Use one per cut, fading in and out quietly. Do not add full-dialogue subtitles. Use an elegant Mincho font only for the final copy. [Constraints] Fit the entire video accurately into 30 seconds. Avoid swapping people, duplication, face changes, unnatural fingers, or contact/penetration through furniture. Do not increase or decrease the number of floors, windows, doors, storage units, or furniture. Do not display real company names/logos, prices, locations, sales records, or unverified areas or performance.

An action movie-style scene where a beautiful female hero has an audience with a queen in the royal castle's throne room, and a knight investiture ceremony is being held. A solemn and dramatic atmosphere, luxurious royal interior, and vivid, noble colors.

Create a 60-second ultra-photorealistic Korean summer travel vlog featuring a young Korean woman in her mid-20s exploring a secluded coastal beach. Natural dark hair, minimal makeup, white linen shirt, denim shorts, sandals and canvas shoulder bag. Start with her filming herself on a small Korean bus as the ocean appears between green hills. She gets off at a quiet coastal stop and discovers a hidden beach with turquoise water, pale sand and fishing boats. She removes her sandals, walks barefoot along the shoreline, collects a seashell and reacts naturally when cold water reaches her feet. She then changes into a tasteful one-piece swimsuit and swims in the clear ocean with realistic human movement, buoyancy, waves and wet hair. Back on shore, she changes clothes, enjoys a cold Korean drink and snack while sitting beside the sea. End during golden hour as she walks barefoot along the shoreline carrying her sandals, with warm sunlight, long shadows and gentle waves. Authentic 2026 smartphone vlog style, handheld camera, natural expressions, realistic skin, hair, clothing, sand and water physics. English dialogue only, natural beach ambience, no music, no CGI, no animation, no subtitles or watermark.

Realistic cinematic lifestyle video featuring a young Korean couple in their early 20s spending a fun day together. The video should feel like a beautiful scene from a realistic romance movie, but still look completely natural and believable, with authentic human behavior, realistic environments and real-world physics. No artificial beauty filters, no exaggerated acting, no unrealistic poses, no AI-looking faces. Maintain perfect character consistency throughout the entire video. CHARACTERS Girl: A young Korean woman in her early 20s with a petite oval face, brown eyes, natural coral lips, realistic fair skin and long black hair. Boyfriend: A young Korean man in his early 20s with realistic features, natural hairstyle and casual stylish clothing. Both characters must remain completely consistent throughout the entire video with no face morphing, identity drift or duplicates. STORY — A DAY OUT WITH HER BOYFRIEND 0:00–0:04 — He Comes to Pick Her Up The girl walks out of her home looking excited. Outside, her boyfriend is waiting for her beside a large stylish motorcycle. The motorcycle looks realistic and naturally parked. She sees him and smiles warmly. He smiles back and hands her a helmet. She puts it on naturally before getting onto the motorcycle behind him. 0:04–0:08 — Motorcycle Ride They ride through beautiful city streets together on the motorcycle. The girl sits safely behind him wearing her helmet, enjoying the ride. Natural wind moves her hair slightly. Show realistic traffic, road movement and city surroundings. The moment should feel romantic and exciting like a scene from a movie, but completely believable. 0:08–0:12 — Arriving at the Mall They park the motorcycle outside a modern shopping mall and walk inside together. They naturally talk and laugh while walking side by side. The boyfriend occasionally looks at her while she excitedly looks around the shops. 0:12–0:17 — Shopping Together They visit different stores and enjoy shopping together. The girl looks at clothes and accessories while her boyfriend waits nearby and gives playful reactions. She holds up something she likes, and he smiles approvingly. They laugh naturally together. 0:17–0:22 — Eating Together They sit together at a casual restaurant or food court inside the mall. Their food arrives, and they enjoy eating while talking and laughing. Include natural small moments: sharing food, smiling at each other and spontaneous laughter. Make their relationship feel genuine and comfortable. 0:22–0:26 — Leaving the Mall They walk out of the mall together carrying small shopping bags. The atmosphere is relaxed and happy. They reach the motorcycle, put on their helmets and get ready to leave. 0:26–0:29 — Riding Her Back Home They ride through the city as the day begins turning into evening. The streets and lights look natural and realistic. The girl enjoys the peacefu

@Image 1 defines <Kid>'s face and hair, a 12-year-old girl in a mustard-yellow oversized hoodie, jeans and sneakers. @Image 2 defines <Dad>'s face, curly dark hair, green bathrobe over grey sweatshirt, red-and-black flannel pajama pants, white socks and slide sandals. FORMAT: 15 seconds / 9 cuts / action comedy, Hollywood fight with a deadpan punchline / no dialogue, no music. ENVIRONMENT: a sunny American city sidewalk in late afternoon, brick storefronts, parked cars, an ice cream cart with a striped umbrella further down the block, warm golden side light, long shadows. STYLE: ultra-realistic live-action feature film, anamorphic 40mm lens, shallow depth of field, crisp motion, natural skin and fabric texture, fine film grain, punchy contrast. Fast professional editing with whip pans and speed ramps. Aspect ratio 16:9. AUDIO: no dialogue, no music. Street ambience, distant traffic, sneakers and sandals on concrete, fabric rustle, heavy hits, breathing. Only two tagged sounds. TIMELINE: 0:00–0:04: Tracking shot from the front, low, gliding backward. <Dad> and <Kid> walk side by side down the sidewalk, she happily licking a tall vanilla soft-serve cone, he sipping a coffee, both relaxed, no words. 0:04–0:05: Three tattooed gangsters in black hoodies and gold chains step out of a doorway and cut across their path; the lead one shoulder-bumps <Kid>, the cone drops. Quick cut to an extreme close-up, low angle: the ice cream hits the pavement <wet splat>. <Kid>'s smile falls. 0:05–0:07: Slow push-in on <Dad>'s face. His eyes go from the melting cone up to the gangsters. His jaw sets, he hands <Kid> the coffee without looking at her and gently guides her one step behind him. Speed ramp: his bathrobe belt swings as he steps forward. 0:07–0:13: Rapid cuts, six shots. Whip pan: the lead gangster swings, <Dad> slips it and drives a straight right into his jaw <heavy crack>, the gangster's sunglasses fly. Cut: second gangster grabs the robe, <Dad> spins out of it like a matador, the empty robe lands on his face, elbow to the ribs, he folds. Cut: <Dad> catches the third one's wrist and slams him against a parked car, the alarm chirps. Cut: wide, all three stagger back into a heap against the storefront. Cut: <Dad> picks his robe up off the ground, shakes it once, pulls it back on. <Kid> stands safely by the wall the whole time, watching, coffee in hand, never in the fight. 0:13–0:15: Hard cut. Wide static shot at the ice cream cart. The three bruised gangsters stand in a neat line at the counter, one holding an ice pack to his jaw, <Dad> beside them in his robe. The gangster at the front turns and, with a sheepish nod, holds out a fresh, oversized vanilla cone with sprinkles to <Kid>.

Create a premium photorealistic live-action cinematic disaster comedy featuring two beautiful young Korean women with clearly different faces, hairstyles, body proportions, and fashion styles. WOMAN 1 sits screen left, wearing a stylish elegant outfit, with only a small green salad in front of her. WOMAN 2 sits screen right, with a completely different beautiful face and different fashionable outfit, enjoying a hamburger, pizza, and red tteokbokki. They sit in a luxurious modern restaurant beside a huge floor-to-ceiling window overlooking a dense city skyline. WOMAN 1 sadly stares at her salad and envies WOMAN 2's feast until a colossal distant explosion suddenly erupts across the city, sending orange-white light and a powerful pressure wave that shakes the window and rattles the plates. Realizing the world might be ending, WOMAN 1 immediately abandons her diet, slides her salad aside, and urgently starts eating the pizza and hamburger. WOMAN 2 watches in disbelief, but another shockwave hits and she instantly joins the frantic feast. Finish with both women seriously panic-eating while repeatedly glancing at the enormous apocalyptic cloud outside. Premium large-format cinematic realism, Cooke anamorphic look, realistic physics, natural acting, cinematic orange disaster lighting, subtle handheld urgency after the explosion, no dialogue, no subtitles, no extra characters, no face duplication, and consistent screen positions throughout.

SCENE CONTEXT A 30-second premium beauty commercial for MOODIE colour-changing lip tint. Three women in a circular mirrored lavender studio pass one single tube between them; the clear glossy tint slowly develops a different tint of colour

Unified requirements for the entire film: Four segments are generated separately, 10 seconds each, 9:16 vertical screen, 4K ultra-realistic high-end Hakka cuisine commercial quality, 24-frame cinematic feel. Consistently use a warm and natural traditional Hakka old kitchen environment, dark wooden countertop, warm side-backlighting, and shallow depth-of-field macro photography. Tofu in all four segments must remain unified: traditional Hakka old tofu, milky white with warm tones, fine texture with slight natural bean pores, cut into uniform thick rectangular blocks; must not turn into soft tofu, silken tofu, Japanese tofu, egg tofu, cheese, or bread. Meat filling always uses the same fresh pork, with a natural fat-to-lean ratio, preserving clear meat grains and realistic color. All stuffed tofu size, shape, meat filling quantity, and searing color must be continuous and unified. The visuals only show ingredients, chef's hands, and cooking utensils, no face. Prohibit subtitles, text, brand logos, watermarks, packaging bags, and platform interfaces. Segment 1 (0—10s): Selected Soybeans and Traditional Stone-ground Soy Milk. Prompt: Generate a 10-second, 9:16 vertical, 4K ultra-realistic high-end Hakka cuisine commercial video. Show the first step of making Hakka Stuffed Tofu: selecting soybeans and using a traditional granite stone mill to grind fine soy milk. 0—2s: Warm morning light in a traditional Hakka kitchen. A light-colored bamboo sieve is filled with plump, uniform pale golden-yellow soybeans. Camera moves close to the beans, showing texture and fresh luster. 2—4s: A clean, natural hand gently stirs and picks soybeans. Soybeans must not turn black, moldy, crack, or become corn, peanuts, or coffee beans. 4—6s: Transition to traditional circular granite stone mill. Soaked soybeans and water added to the inlet, chef pushes the millstone. 6—8s: Milky white soy milk flows from the gap. Texture is fine and smooth. 8—10s: 85mm macro follows the milk into a bucket. Warm side-backlighting, natural steam. Connection: Last frame shows soy milk close-up. Segment 2 uses the same batch of tofu. Segment 2 (10—20s): Hand-chopping Meat Filling and Stuffing. Prompt: Generate a 10-second, 9:16 vertical, 4K ultra-realistic high-end Hakka cuisine commercial video. Show hand-chopping fresh pork, cutting tofu, and stuffing meat filling. 0—2s: Fresh pork shoulder on a dark wood board. 2—4s: Rhythmic hand-chopping, preserving clear grains. 4—5s: Gathering meat with a knife, visible scallion bits. 5—7s: Tofu cut into 4x3x2.5cm blocks. Digging a groove in the center. 7—9s: Filling meat using chopsticks. 9-10s: Panning across neatly arranged stuffed tofu. Use 50mm and 85mm macro. Strictly Avoid: Meat grinders, meat turning into other products, auto-digging, different shapes, jelly-like tofu. Connection: Last frame shows arranged tofu. Segment 3 (20—30s): Searing and Braising. Prompt: Generate a 10-second, 9:16 vertical, 4K ultra-realistic high-end Hakka cuisine commercial video. Show searing meat side, both sides of tofu, and braising in original juice using a black iron pot. 0—2s: Heat pot with oil, place tofu meat-side down. 2—4s: Meat side seared to golden-brown. 4—6s: Searing both sides. 6—8s: Pouring amber sauce. 8—9s: Simmering in juice. 9—10s: Spatula lifting one piece. Strictly Avoid: Deep frying, burning, meat falling out, wrong sauce colors. Connection: Transfer to a dark brownish-black clay pot. Segment 4 (30—40s): Clay Pot Simmering and Hero Shot. Prompt: Generate a 10-second, 9:16 vertical, 4K ultra-realistic high-end Hakka cuisine commercial video. Show transfer to clay pot, simmering, adding scallions, and a hero shot with a spoon. 0—2s: Tofu simmering in amber juice, steam rising. 2—4s: Adjusting tofu with chopsticks. 4—5s: Sprinkling green scallions. 5—7s: Silver spoon lifting a piece. 7—9s: 85mm macro hero shot showing textures and juice. 9—10s: Camera pulls back for final shot. Strictly Avoid: Changing pot, shape changes, different food items, meat falling, too much sauce, charcoal tofu, extra fingers, UI elements.