Text / Typography

Create a high-resolution, vertical 2:3 editorial art poster using the uploaded reference photo. TOP HALF: Use the original photograph full bleed, preserving the subject's identity, appearance, natural lighting, and photographic quality. Crop carefully if needed. No borders or margins. BOTTOM HALF: On textured ivory paper, create a monochrome scratchboard illustration of only the main subject and essential accessories. Place a large, rough-edged black ink block in the center. The figure must be larger than the block, with roughly two-thirds inside it and the lower third breaking out onto the ivory paper. Add loose horizontal ink strokes beneath the feet for grounding. Inside the black block, use fine white and light-grey etched linework. Outside it, continue the same figure in expressive black pen strokes on ivory. Ensure a seamless transition between both tonal styles. Avoid excessive hatching and unnecessary background details. COLORS: The bottom half must use only black, white, and ivory, with subtle paper grain. TYPOGRAPHY: Use rough, upright handwritten lettering. - Top left: a 2 to 4 word title across two lines, followed by three short lowercase verbs separated by periods. - Top right: latitude and longitude on two lines only. - Bottom left: the location or theme followed by “DIARY.”, with a short descriptive sentence beneath. - Keep all typography black on ivory, natural and imperfect, never cursive. FINAL COMPOSITION: Exactly one standalone poster with two equal horizontal halves and one perfectly straight dividing line. Preserve the original subject's identity and proportions. Maintain generous negative space and a restrained, collectible editorial aesthetic, combining documentary photography with expressive hand-printed illustration. Print quality, 2:3 vertical aspect ratio.

STARBUCKS — “BREW BIG.” 4:5 vertical premium poster, 8K, exaggerated bold typography × high-impact commercial art direction × photorealistic product advertising 🧠 CORE IDEA: “BREW BIG.” 🎬 LAYOUT: BACKGROUND BLOCK: Solid, vivid Starbucks green background with oversized graphic shapes and strong contrast. GIANT TYPOGRAPHY: “BREW” Extremely bold, oversized, tightly cropped typography dominating almost the entire composition. Letters extend beyond the canvas edges, with the Starbucks cup overlapping the text. 👤 SUBJECT: A hand holding an iced Starbucks drink directly toward the camera, extreme forced perspective, cup dramatically enlarged in the foreground, realistic condensation, crisp ice, natural lighting. ☕ PRODUCT + VISUAL TWIST: The Starbucks cup becomes the centerpiece of the typography. The oversized word “BREW” appears to wrap behind the cup, creating striking depth through scale, layering, and composition. Keep the cup, logo, and beverage completely photorealistic. ✨ GRAPHIC ELEMENTS: * Oversized green and white shapes * Sharp contrasting shadows * Minimal starburst accents * Small directional arrows * Bold editorial layering ✍️ TEXT SYSTEM: Top pill: “STARBUCKS COFFEE” Main headline: “BREW BIG.” Supporting text: “YOUR DAILY DOSE OF EXTRAORDINARY.” BOTTOM FEATURE STRIP: * Freshly Brewed * Rich Flavour * Iced or Hot * Made for Your Moment ANTI-SLOP DIRECTION: Typography is the main design feature, not a small decorative element. Extreme scale, aggressive cropping, strong visual hierarchy, deliberate overlap, premium print-ad finish. No floating coffee beans, no miniature landscapes, no random surreal objects, no excessive particles, no cluttered layouts, no generic gradients. The final poster should feel like a bold global advertising campaign with unmistakable graphic impact.

Hand-drawn classroom anchor chart on cream lined notebook paper, kawaii illustration style, clean handwritten markers, playful doodles. Vertical 4:5. Cream notebook paper with blue ruled lines and a faint pink margin. Title at top in bold coral marker: "Maker Bench Notes". Subtitle paragraph in fine black pen: "A one-page cheat sheet for lighting a product still." Green marker subtitle: "Core Moves". Bullet list in black fine pen on the left half: "Name the subject + surface first."; "Pick one key light direction and stick to it."; "Add a soft bounce fill, not a second hard light."; "Keep reflections honest — metal, glass, matte each behave differently."; "Crop tight enough that props support the hero, not compete."; "Write a short negative list for logos and text drift.". Right side: three small coral cloud bubbles, each containing a simple bolt-and-washer doodle, no text inside bubbles. Lower center: a cute matte charcoal raccoon sitting side-view with big eyes, tiny nose, soft cream cheek highlight, thick teal outline, no text on the raccoon. Lower-left corner: a surreal hand-drawn doodle eye with concentric iris rings, a tiny star pupil, three lashes, subtle drip, purple stroke with teal accent. Handwritten marker variation, slight ink bleed, visible paper texture, flat overhead classroom light. No photorealistic fur, no 3D gradients, no logos, no watermark, no UI chrome.

Transform the reference photograph into a sophisticated minimalist editorial art poster while preserving the original café interior, wooden tables, chairs, plants, lighting, and composition. Create a refined architectural illustration with translucent geometric overlays, soft pastel gradients, warm cream and beige tones, muted sage green, pale blue, and golden yellow. Use delicate grid lines, subtle paper texture, elegant negative space, and soft sunlight for an artistic, contemporary design-magazine aesthetic. Arrange the result as a vertical split composition, with the realistic photograph on top and an abstract artistic reinterpretation below. Add subtle typography reading “A QUIETER DAY” and “SAME PLACE, BRIGHTER THOUGHTS.” Premium graphic design, minimalist Swiss editorial layout, soft atmospheric glow, balanced composition, high detail, 4K quality, portrait 4:5 aspect ratio.

Two vertically connected rounded rectangular panels are anchored by extremely thick, slightly undulating black hand-drawn outlines, with white buckles crossing the panel edges, forming striking paired modules and clear vertical rhythm. Content is organized using Gestalt proximity and layout zoning, with each panel internally divided into a stable left-image/right-text column, balancing left and right weights, titles and information read top-to-bottom in the right column; the overall visual center falls on the junction of the two panels and their respective prominent large titles, keeping the page header area independent with logos and main title. Images and text connect via juxtaposition and backing: the left side is reserved for character or theme illustrations, placed on irregular rounded clean light-colored bases; the right side uses prominent large characters to lead multiple lines of explanation, accompanied by small line-drawing symbols adjacent to text to indicate content. Text hierarchy is always distinct, large titles are thick and striking, explanatory text is thinner with generous line spacing, small text and symbols create rhythm points; glyph construction is upright and readable, with clear counters, crisp endings, and compact faces complementing handwritten images, maintaining this hierarchy regardless of text volume; when text is insufficient, secondary small text is supplemented based on the theme. Text edges are flat and clear, forming a clean typography layer outside the hand-drawn lines. Whitespace includes gaps between panels, backing whitespace around image bases, reading gaps between text lines, and pauses between header and body; each remains spacious, allowing thick frames, illustrations, and titles to stand out clearly. Illustration content is provided by the appended theme, adopting a complete, concentrated, slightly tilted hand-drawn composition within the left column, with simple main outlines, light dynamic details, and upright load-bearing parts; content density is about half-frame, mainly concentrated in the left column of each panel, the rest being white or light-colored rounded bases, flat panel color blocks, and bottom whitespace, generating no scenery. Uses a composite of techniques: outlining frames and characters with continuous, slightly shaky thick black lines; spreading large panel areas and local illustration colors with clean, smooth digital flat coloring; pressing information areas with crisp text typesetting; overall resembling an illustration arrangement synthesized from hand-drawn lines, computer flat coloring, and clear typesetting. Color scheme maintains a high-brightness keynote, colors vivid, saturated but not glaring, the most intense color surfaces fall within the paired panels echoed by character locals; pairing warm light backgrounds with varying brightness levels of light color surfaces, stabilizing layers with strong black-and-white line text contrast. Overall warm and cheerful, friendly and energetic, resembling matte digital color blocks combined with dense marker lines; hue follows the theme, but brightness/darkness, thickness/thinness, saturation/dilution, warm tendencies, and cheerful friendly psychological feelings maintain this personality regardless of theme. Overall temperament is light, friendly, and orderly. Appended theme, accurate text, usage, and aspect ratio take priority; grouping of upper/lower panels, left-image/right-text, thick black hand-drawn borders, image backing, clear text hierarchy, and high-brightness warm-thick color schemes remain unchanged. ------ Theme: Water Cycle Educational Poster

Goal: Create a comprehensive, high-density vertical travel landing page (LP) for Kiyomizu-dera in Kyoto. Canvas: Vertical aspect ratio (approx. 4:5), featuring a vibrant mix of anime illustration and realistic photography with a clean white background accented by orange and purple brushstrokes. Layout: 1. Header: Top navigation bar with logo 'あぽろ塾 APOLLO JUKU' on the left, menu items (Search, Model Course, Spot, Gourmet, Access) in center, and an orange CTA button '今すぐ旅に出る' on right. 2. Hero Section: Large title '清水寺 Kiyomizu-dera' in bold black serif font. Subtitle '京都・東山の絶景と歴史をめぐる'. A central anime character (orange hair, cat ears, streetwear jacket with 'KYOTO' text) pointing right, accompanied by a tuxedo cat. Background shows a panoramic view of Kyoto with autumn foliage and pagodas. Floating handwritten text: '見たことのない京都に、きっと出会える。' and 'ここにしかない景色がある。'. Location info block: '京都・東山', '早朝散策がおすすめ', '春は桜、秋は紅葉が人気'. World Heritage badge and coordinates '34.9945, 135.7843'. 3. Highlights Section ('見どころ'): Horizontal scrollable cards showing photos of '清水の舞台', '音羽の滝', '三年坂・二年坂', '京都の街並みを一望', '世界遺産'. Each card has a photo, title, and short description. 4. App & Features Section: Left side features a smartphone mockup displaying a map app interface with pins for Kiyomizu-dera, Otowa Waterfall, etc. Center column lists 'アプリの主な機能' (App Main Features) with icons: Spot Search, Model Course, Favorites, Offline Map. Right side is 'モデルコース' (Model Course) with numbered steps 01-04 showing route thumbnails. 5. Seasonal Recommendations ('おすすめの季節'): Four distinct seasonal blocks (Spring, Summer, Autumn, Winter) with corresponding landscape photos and brief text descriptions. 6. Access Section ('アクセス'): Bottom right area listing transport options (Train, Bus, Car) with specific station names and walking times. Includes a small silhouette of a pagoda and 'Kyoto' script. Visual style: Modern Japanese web design aesthetic. High contrast between the colorful anime mascot and the serene real-world photography. Use of orange (#FF5722 approx) and purple accents. Clean sans-serif typography for body text, elegant serif for headings. Text content: Preserve all Japanese text exactly as shown in the image, including section headers like '見どころ', 'モデルコース', 'アクセス', and the specific location names.

Create one vertical 3:4 diptych for each uploaded photo, divided into equal top and bottom halves with a seamless join. No divider, frame, or collage. Swiss editorial design, experimental photography, and vintage print aesthetics. TOP HALF — ORIGINAL PHOTOGRAPH Preserve the original identity, pose, scene, composition, perspective, lighting, and colors. Allow only subtle color grading and background extension. No text. BOTTOM HALF — SEVEN EXPERIMENTAL TEXTURE ZONES Repeat the entire original photo. Overlay seven asymmetrical rectangular zones of different sizes directly onto the image pixels, crossing non-critical details. Maintain visual continuity inside and outside every zone. Never crop, zoom, shift, duplicate, or redraw the image. Keep all important focal features visible. SEVEN NUMBERED TECHNIQUES 01. Reeded Glass: Vertical optical refraction. 02. Black-and-White Engraving: Fine etched lines and crosshatching. 03. American Stipple: Black-and-white microdot texture. 04. Vintage Halftone: CMYK printing dots. 05. Pixel Mosaic: Square pixel blocks. 06. Transparent Overlay: 2–4 translucent overlapping layers. 07. Duotone Screen Print: Two-color screen-printing effect. DESIGN DETAILS Add hairline borders, tiny corner squares, and fine leader lines to identify each rectangular zone. Label every technique with its corresponding number and English name. Keep all areas outside the seven zones photographic and realistic. STRICT REQUIREMENTS No logos, watermarks, extra images, or unnecessary decorative elements. Preserve the original photograph's integrity and maintain a clean, sophisticated editorial layout. OUTPUT: One high-definition 3:4 vertical poster with equal top and bottom halves.

Create a vertical 3:4 poster in a serene, poetic Chinese minimalist style with watercolor textures and generous central whitespace. The background shows two towering cliffs on the left and right sides, painted in soft blue-gray tones with delicate pink and orange highlights, forming a narrow canyon that opens into a bright white misty center. At the bottom of the canyon stands a tiny solitary woman seen from behind, wearing a long light-colored coat and a flowing red scarf, walking toward the glowing opening. Typography layout: - Top-left corner: one large black serif Chinese character "早" (Morning). - Top-right corner: one large black serif Chinese character "安" (Peace), together reading "早安" (Good Morning). - Top-center small text block: "2026 / 10/21 / WED" followed by a short horizontal line, then three lines of spaced small Chinese text: "新的一天", "比昨天更靠近", "想要的生活". - Center vertical column of medium-sized black Chinese characters reading top to bottom: "把平凡的每一天过成值得的". - A handwritten cursive English phrase "Good Morning" in coral-orange ink sweeping diagonally across the middle of the image, overlapping the vertical text. - Below the vertical text, a centered small paragraph of three lines: "更清醒的自己", "更踏实的节奏", "更靠近热爱的生活", followed by a short divider line and four more tiny lines: "不急不躁", "一步步走", "日子会给你", "想要的答案". - Bottom edge: wide-tracked uppercase serif letters "G O O D M O R N I N G" spanning the width, and beneath it a single line of small spaced Chinese text separated by thin vertical bars: "清晨有光 | 步伐有力 | 生活有盼". Visual style: clean editorial typography, airy composition, muted pastel palette dominated by white, pale blue, and soft peach, subtle paper grain texture, faint scattered orange speckles like petals or dust, calm and inspirational mood.

A stylized, layered paper-cut illustration of a man's profile facing left. The face is composed of overlapping geometric shapes in shades of blue, white, and orange. Inside the silhouette of his head, there is a surreal scene: a dark forest with tall, slender trees rendered in deep blues and purples, leading to a small figure walking on a path towards a warm, glowing orange light at the horizon. In the lower right foreground, a grand piano is partially visible, integrated into the composition. The background features abstract, flowing lines resembling hair or wind. At the top right, the word "Schumann" appears in large, bold, white serif font. At the bottom, the text "«Ciclo de Eichendorff», Op. 39" is written in yellow serif font.

A vertical cinematic poster featuring a photorealistic, ethereal portrait of the Greek river god Skamandros. The subject is a beautiful androgynous figure with wet, dark hair adorned with a golden laurel crown. They wear sheer, flowing robes in shades of teal and gold that are partially submerged in rushing water. The figure's hands are extended forward, palms up, catching cascading splashes of crystal-clear water that glisten in warm, dappled sunlight. In the background, blurred ancient stone ruins and arches suggest a mythological setting. On the left side, elegant typography overlays the image: a large serif title "SKAMANDROS" in metallic gold, followed by Japanese text describing the deity as the 'River God of Skamandros' who nourishes the earth of Troy.

A cinematic, high-contrast automotive poster featuring a futuristic silver flying car hovering above a red platform. The vehicle is a sleek, angular concept with a metallic finish and dark tinted windows, suspended in mid-air by four bright white thruster jets that emit billowing clouds of steam or vapor onto the surface below. The background is deep black, dominated by massive, bold red typography reading "LIFT OFF" across the top. A large, abstract white geometric shape intersects behind the text. Small white sans-serif text reads "MODELLIX PRESENTS." in the upper left corner, "ELECTRIC DREAMS." in the lower left, and "AI CONCEPT STUDY." in the lower right. Thin white technical lines frame the composition at the very top and bottom edges.

Create a serene, high-resolution vertical poster featuring a miniature diorama scene set on a wet, reflective stone surface. The focal point is a celadon green tea bowl filled with tea, positioned next to a small, mossy stone arch bridge. A delicate white lotus flower rests at the base of the bowl. Tiny miniature figures (approx. 6 people) are scattered around: some standing taking photos, one sitting on the bridge, and others walking. Suspended from the top center is a thin string holding a translucent green leaf pendant with a water droplet at its tip, hanging directly above the tea bowl. The background is a soft, out-of-focus blur of light grey and beige tones. In the upper right corner, overlay elegant typography in Chinese and English: '早安' (Good Morning) in large brown serif font, '杭州' (Hangzhou) in dark green serif font, followed by 'HANGZHOU GOOD MORNING', the date '2026-10-20', weather info '天气：晴转雷阵雨 22-32°C', and a poetic quote '今日金句：心有清风，步步自有回响。'. Use a macro photography style with shallow depth of field.

Output a single 4:5 vertical commercial poster, no collage, no multi-grid. Use an original fictional brand, do not imitate existing brand packaging, logos, or ads. Text should only use the brand name, main title, and category explicitly listed in the prompt; do not add prices, awards, parameters, dates, origins, or slogans. The image must reach a completion level suitable for creative direction review, with realistic structure, credible materials, clear layout, and no watermarks. Theme: Oriental Tea Review Sample. Original brand 'Lan Xu', product 'Rock Tea' (Yancha), main title 'Mountain Field Entering Cup'. A vertically long sheet of warm-white Xuan paper folds upward from the bottom into three folded pages of different heights, resembling abstract mountain ridges while retaining real paper thickness, fibers, and creases. Place a small dark brown teapot on the lowest layer, a white porcelain tea cup on the middle layer, and only a few dried rock tea leaves on the highest layer; object scales are realistic and non-overlapping. Core composition: 'Binding Fold Pages - Mountain Path Layers - Tea Smoke Connection'. A wisp of amber tea smoke rises from the spout, travels along the folded mountain paths connecting the tea cups, resembling restrained ink wash writing with local density variations but not forming specific characters or dragons/phoenixes. Main title 'Mountain Field Entering Cup' is arranged vertically in modern Song typeface on the right whitespace, small text 'Lan Xu' at the top, small text 'Rock Tea' at the bottom. Color palette: warm white, rock brown, tea soup amber, and minimal ink black. No people, ancient costumes, real tea room scenes, full-screen landscapes, large calligraphy, gold borders, Zen clichés, complex packaging, or multiple collages.

Create a 4:5 vertical high-completion bottled mineral water promotional poster. Use "Contour Line Refraction Valley" as the sole core composition. Slightly overhead vertical composition. A label-free, simple structured transparent glass water bottle stands vertically in lower-middle part. Cap is foggy silver metal. Entire background filled with extremely fine, equidistant, continuous ice-blue horizontal contour lines. Lines sink inward near bottle, forming soft canyon pressed by bottle weight, recovering straightness further away. Lines must not break, cross, or form noisy ripples. Bottle is not floating cutout. Bottom truly presses on light grey-blue mineral surface. Bottle and line field in same space. Only contour lines seen through clear water inside undergo real refraction, slight magnification, horizontal displacement. External lines remain precisely continuous. Few natural water droplets condense on left side. Clear highlight edge on right. Material like high-end drinking water ad photography, no plastic CGI feel. Place large narrow sans-serif title "FLOW" in quiet negative space above. Wide tracking, deep navy blue color. Below title keep only small text "MINERAL WATER". Text must not embed in bottle or compete with lines for visual center. Colors limited to ice blue, foggy white, deep navy, little silver. Use soft top skylight and left-rear rim light to make bottle transparent but not disappear. Overall vibe precise, crisp, minimalist, contemporary editorial design. Full opaque rectangular background covering canvas. No transparent pixels, black corners, alpha mask, edge feathering, irregular cropping. No mountain scenery photos, people, floating splashes, excessive copy, existing brand logos, watermarks.

Create a 4:5 vertical high-end desk lamp promotional poster. Core composition is "Light Beam Letter Slot". A minimalist metal desk lamp is located at the bottom left. Thin stem, matte deep red semi-cylindrical shade, realistic power cord extending naturally along the surface. Lamp head emits a warm white light cone towards upper right, with clear but not overly sharp boundaries. Four dark indigo matte thin boards stand vertically in the center with consistent spacing. Boards themselves have no printed text; only when the light beam passes through precise cutouts on the four boards does the projected light on the rear warm-grey wall spell out the complete word "BEAM". Each letter is formed by light, not like ordinary glowing fonts stuck on the wall. Light beam shows slight width changes and real soft edges after passing through different cutouts. Controlled highlights on board edges, clear projection direction retained on surface. Besides title, add small info "ARC LAMP / LIGHT SHAPED BY FORM" at bottom right only. No icons, parameter cards, or decorative lines. Colors strictly limited to dark indigo, matte red, warm grey, and warm white light. Use quiet indoor night photography texture. Lamp material realistic. Optical relationships must hold: source, cutout, projection on same straight line. Simple composition with spatial depth. Full opaque rectangular background covering canvas, no transparent pixels, no black corners, no alpha mask, no edge feathering. No neon signs, stage smoke, cyberpunk, people, existing brand logos, or watermarks.

Create a vertical, high-resolution healing-style morning greeting poster. The background is a close-up photograph of dark green leaves and thin vines covered in clear water droplets, with soft natural light filtering through the foliage to create a moody, serene atmosphere. In the top left corner, display the number "19" in a large, elegant serif font in cream color, with a short vertical line beneath it. In the top right corner, display the number "10" in the same style and color, also with a short vertical line beneath it. Centered at the very top, between the numbers, is a small horizontal line followed by the Chinese text: "把清晨留给安静，把希望交给今天" (Leave the morning for quietness, entrust hope to today) in a delicate white sans-serif font. Dominating the center of the image are two massive Chinese characters "早安" (Good Morning) in a bold, stylized serif typeface. These characters are rendered in a textured cream/beige color that looks slightly translucent against the dark leaves behind them. Directly below these large characters is the English text "GOOD MORNING" in widely spaced, uppercase serif letters, flanked by long horizontal lines on either side. Below the main title, centered in the lower-middle section, is an inspirational quote in white sans-serif text spanning two lines: "愿你在缓慢而坚定的节奏里，迎接新一天的光。" (May you welcome the light of a new day in a slow and steady rhythm.) At the bottom of the poster, there is a footer section. The first line reads "MONDAY / 2026-10-19 / KEEP CALM AND GROW" in small, spaced-out white capital letters. Below this, centered between two short horizontal dashes, is the text "今日宜：清醒、从容、热爱生活" (Today's advice: Be awake, be calm, love life).

Output a standalone 4:5 vertical commercial poster, no collage, no multi-grid. Use an original fictional brand, do not imitate existing brand packaging, logos, or ads. Text must only use the brand name, main title, and category explicitly listed in the prompt; do not invent prices, awards, specs, dates, origins, or slogans. The image should reach creative direction review quality: realistic structure, credible materials, clear typography, no watermarks. Theme: Headphone review sample. Original brand "SONA", product "ARC H1", main title "LISTEN". Place a pair of graphite black over-ear headphones in a creamy white studio. Ear cups facing camera, headband slightly tilted back, real cushioning and metal hinges clearly visible. A matte cobalt blue solid sound wave ribbon, varying in width from narrow to wide, enters from bottom-left, passing sequentially through the left ear cup, space behind the headband, and right background, creating a gentle undulation. It is not glowing audio waves nor decorative curves, but flexible material with thickness, edges, and shadows. Composition Core: "Product suspended on solid sound ribbon — Title forms sound chamber." Huge condensed font "LISTEN" arranged in depth behind the scene as six character frames. Headphones and sound ribbon weave alternately in front of and behind these frames, creating clear occlusion and spatial layers. Brand "SONA" at top, bottom text only "ARC H1 / HEADPHONES". Colors: Black, Warm White, Cobalt Blue. Direct soft lighting, still-life ad quality. No people, stage lights, music festivals, EQ UI, spectrograms, red idol covers, neon, extra headphones, or meaningless tags.